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The Tangled History And Mysterious Legality Of “Happy Birthday”

Learn more about the Schrödinger’s Cat of the public domain: We may never know what’s in the box.

The headlines on Tuesday and Wednesday blared, “Happy Birthday found to be in the public domain.” Unfortunately and confusingly, they were incorrect. A judge’s ruling in a suit filed two years against the ostensible current rights holders for the lyrics to that song, Warner-Chappell Music, didn’t decide that. Instead, the judge found that Warner-Chappell lacked valid rights to the lyrics, whether or not they remained under copyright protection, even as it collected fees to the tune of $2 million a year.

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Life And Death Get An Intense Closeup In History Channel’s “Dead Or Alive”

The show was born from short film Random Stop, about the killing of a sheriff. Are viewers ready for such visceral storytelling?

Last summer, filmmaker Ben Arfmann put viewers into the driver’s seat of a routine traffic stop that went horribly wrong in Random Stop. A short film with an intimately fixed point of view, it told the story of the murder of Georgia sheriff’s deputy Kyle Dinkheller by “disturbed Vietnam veteran” Andrew Howard Brannan. A Staff Pick on Vimeo, the short caught the attention of producers at the History Channel, who contacted Arfmann about developing an original fixed point-of-view series.

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Today in Tabs: Trashbags & Chill

We have met the pizza rat, and he is us.

The internet was captivated yesterday by a video of a rat, headed home to Queens for some trashbags & chill with bae, trying to carry a whole slice of pizza onto the L train platform. Only fourteen seconds long, the video is nonetheless a masterpiece; a titanic struggle between the great American archetypes “vermin” and “unhealthy food”; a roller coaster of optimism, loss, defeat, and new hope, played out against a backdrop of authentic New York filth. It ends on an ambiguous note, the rat eyeing the pizza with… longing? Determination? Despair? It is impossible to say. Either way, the struggle itself is enough to fill a person’s heart. One must imagine pizza rat happy.

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Most Instagram Users Are Outside The U.S.

More than 75% of Instagram’s users come from outside the United States.

Instagram just released its latest user numbers, and there’s big news for the global market: 75% of users of the Facebook-owned social network come from outside the United States. According to the company, more than half of the last 100 million users to sign up for the service come from Europe and Asia. Instagram added that Brazil, Japan, and Indonesia are among the countries that added the most users to the service.

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Quirky Files For Bankruptcy, Agrees To Sell Smart Home Subsidiary Wink

Popular crowdsourcing platform Quirky is cutting its losses and giving up ownership of Wink.

Quirky, the popular crowdsourced invention platform, is filing for Chapter 11 bankruptcy and selling Wink, its subsidiary specializing in connected home products. According to a Wink blog post, the electronics manufacturing firm Flextronics is likely its new corporate parent. Although Wink did not disclose any numbers, Flextronics is allegedly offering $15 million to acquire the company.

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Edutech’s Monetization Problem

Everyone wants to learn online, but startups are trying to figure out how to get users to pay the bills.

A few years ago, MOOCs—massive open online courses—were all the rage. Publications, Fast Company among them, wrote about new startups like Coursera, EdX, and Udacity that offered the promise of free learning and professional development to anyone in the world who wanted them. However, in 2015, many of these companies and their compatriots in the edutech space as a whole discovered an unfortunate truth: It’s damn hard to make money from MOOCs.

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Lee Daniels: “I’m giving voice to those who don’t ordinarily have voice”

As Empire, Fox’s high-octane smash, returns for its second season, creator and executive producer Lee Daniels explains why the show resonates with viewers and what’s happening below the surface.

Fast Company: Empire‘s first-season finale in March was the highest-rated for a new series in the past 10 years. How do you approach writing a show that has connected with so many people?

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